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“We devised a technology that is called demixing,” said Jackson. This means of keeping their words from Lindsay-Hogg and his crew worked well enough in the wholly analog late 1960s, but it has proven no match for the artificial intelligence/machine learning of the 2020s. On first listen, this renders many of their conversations inaudible, and probably by design: “If they were in a conversation,” said Jackson, they would turn their amps up loud and they’d strum the guitar.” John, Paul, George, and Ringo’s instruments share a single track with their voices - and not just their singing voices, but their speaking ones as well. Recorded in large part monaurally, these tapes presented a formidable production challenge.
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This also goes for the less obvious but no-less-impressive treatment given by Jackson and his team to the audio that came with the Let It Be footage. The kind of visual restoration and enhancement seen in Get Back was made possible by technologies that have only emerged in the past few decades - and previously seen in Jackson’s They Shall Not Grow Old, a documentary acclaimed for its restoration of century-old World War I footage to a time-travel-like degree of verisimilitude. Those who have seen both Linday-Hogg’s and Jackson’s documentaries will notice how much sharper, smoother, and more vivid the very same footage looks in the latter, despite the sixteen-millimeter film having languished for half a century. The vast majority of the material that comprises its nearly eight-hour runtime was originally shot in 1969, under the direction of Michael Lindsay-Hogg for the documentary that became Let It Be. But it has also become possible to de-age film itself, as demonstrated by Peter Jackson’s celebrated new docu-series The Beatles: Get Back. It's a shame more family movies aren't as simple and beautiful as My Neighbor Totoro.Much has been made in recent years of the “de-aging” processes that allow actors to credibly play characters far younger than themselves. Satsuki and Mei need Totoro to help them through a difficult time in their lives - new home, sick mother - and it's quite lovely to see the sweet little moments that cement their friendship.
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Unlike the majority of animated movies, this isn't full of pop-culture or consumerist references that, while funny when handled correctly, can also bog down animated films or zap them of their childlike fantasy. This isn't a spellbinding all-out adventure like Spirited Away or even the gentler journey that is Ponyo, but its leisurely paced story and lushly detailed visuals are part of the charm. Re-released and dubbed in English for a wider audience by Disney, the movie introduced Americans unfamiliar with anime to Miyazaki's signature themes: strong, independent girls as protagonists whimsical creatures an imaginative story and a focus on how families interact with each other and their surrounding environment. My Neighbor Totoro is considered Miyazaki's breakthrough film.
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